The Modern Tunes From Vampire Weekend

After revealing six songs in the past few month, Vampire Weekend finally released their third album on 14th May 2013, one week later than originally announced (7/8 May) due to some unanticipated delays in the production of physical copies of the record. The album ‘Modern Vampires of The City‘ can be streamed on itunes since last week (7/6).

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The band’s musical architect, aesthetic director, and also producer, Rostam Batmanglij said on his twitter page that “It is a good time to tell you I think it’s our best record“. With help from Ariel Rechtshaid as co-producer, Batmanglij and Rechtshaid successfully built the ‘dark’ character on this album and made it to be their best record. If you listen the song ‘Hudson‘ and look at the album’s cover, it’s an art photograph taken by Neal Boenzi for The New York Times on November 24th 1966, you can easily feel the ambiance of the tunes.

Photo by: Alex John Beck

Photo by: Alex John Beck

Batmanglij and Koenig started writing materials for their third album right after they finished ‘Contra‘ tour in 2010. The band’s drummer, Chris Tomson helped them writing ‘Hannah Hunt, a song about Koenig’s classmates in college. After all the material wrapped up the band who just performed on Saturday Night Live last Saturday (11/6) began to record the album at L.A.’s Vox Studio.

Speaking of the whole album we can assume that it is different than the two previous albums. You can see the preppy Ivy Leagues grads have become more mature in every songs both for musics and lyrics. But you still can feel their unique characteristic. Like in ‘Diane Young‘ or ‘Dyin’ Young‘, ‘Unbelievers‘, ‘Finger Back‘ and ‘Worship You‘ you can still jumping around and dance your ass off (just like what you do when you listen to the songs on their previous albums). In the last track ‘Young Lion‘ you can hear Batmanglij’s tender voice because this song is written and sung by him.

The actor and director Steve Buscemi, who directed Vampire Weekend American Express Music Unstaged at Roseland Ballroom, said, “What I love about them is that you can either just get off on the musicality of it or go deeper.” and we couldn’t agree more with him.